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In the end, the two simply remind the listeners of the abuses of power that may be allowed by the Department of Justice if nobody takes action to limit them. Instead, Tyrone informs him that the chains are intentionally left loose as a sign of false hope, telling him that the new world order is "global." Dispirited, Pitbull then recalls an earlier conversation he had with his wife in Spanish, when he joked about being her OBGYN. He tries to yell at Tyrone, the guard, screaming and "hollering" out in rage, telling him he could easily jump through these "foot hoops" that he is chained in. You can see that because he is more familiar with these nation's histories of social and political turmoil, he pays little attention to the physical suffering around him, instead preferring to think of his now deceased wife, and how they used to fornicate while playing music loudly in his parent's basement, though he is sorry for her passing. Pitbull then gives his account of what the death camps are like for Latin American citizens.
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Once again, he swears revenge to "get the guard right" while cursing the Department of Justice for making a mockery of love. When the "music" (brilliant, again) of the surrounding stops, he is once more forced to put his hands up while the guard frisks him for any food or water he may be trying to feebly hold onto. He dreams of setting the camp on fire, even using the term "mother fucker" to describe it, a brilliant metaphor as the camp has never physically touched his mother. Usher briefly dreams of revenge as he is allowed his one drink of the day. The guard taunts him, telling him to do the forbidden "dance" like it's the last night of his life, which he knows it well may be. Suddenly, he is marched into the forced copulation room, where the Department of Justice (D.J.) has forced him to breed with a selected female. He seems to recognize the guard by his eyes, he is likely a former friend who is now on the other side. Usher has no control over his body, they have taken even that from him. Suddenly, a guard yells, "HANDS UP!" and every prisoner fearfully complies. He is thankful that another week has passed, even if he's not sure why, because he feels like a zombie only brought back to life by occasional moments of unspeakable terror. You can tell that there has already been a massive amount of murder that has taken place, so much in fact that the slightest movement causes the bodies he walks on to gently rock from side to side. In the beginning, Usher is walking into the "club," which is a euphemism for a death camp. It is quite a clever song, he is a master of the metaphor, which adds to its rich verbal depictions. This song is a horrific portrayal of the atrocities of war in a post-apocalyptic setting, and a critique of the abuses of power the Department of Justice is granted in America. Were the boys get loose like wacka flacka Let him know how I jump through your foot loop Gonna burn this mother fucker down, down, down, down, down, down Not tomorrow that just right now, now, now, now, now, now So dance, dance, like it's the last, last night of your life, life Yeah, baby tonight, the DJ got us falling in love again I think I remember those eyes, eyes, eyes, eyesĬause baby tonight, the DJ got us falling in love again Hands up, and suddenly we all got our hands up I feel like a zombie gone back to life (back to life) Get that bodies rocking from side to side (side to side)